Taking a most unusual detour from its previous home at UCLA, I took a short trip from home to spend a few hours as part of American anime lover history celebrated 30 years of mecha, music, and love at Macrossworldcon 2012. This time, taking place deep in Arcadia (no, not that one), CA. , and within a modest-sized business & shopping center, virtually hidden from any manner of public view. After badge pickup, and a colorful yet narrow walkway leading to the heart of the event, I found myself surrounded by a virtual cityscape of toys and items commemorating decades of the Macross franchise, from the original groundbreaking series, to the candy-heavy Frontier. UN S PACY heads from numerous generations and backgrounds convened in what remains a remnant of the anime con that once was..
We arrived just in time for a “Free Art Contest” where a group of talented sketch artists tried their hand at delivering a memorable Macross image with only two stipulations; A) Image must contain an audience-selected character from the franchise, and B) they only had ten minutes to make it so. (Sadly, my idea: An image of hapless Valkyrie pilot, Hayao Kakizaki–a character often characterized as a plate of steak, or a ball of flame, was never voted in.)
Couldn’t help myself from being knocked nostalgic, and also expressing deep excitement at the evolution of character and mecha goods on display. There were times when it felt like member-owned toys and items would never stop coming in to take residence on one of several counters set against the main event room’s walls. Was wonderful enough just to be in the presence of it.
But toys, raffles, and art aside, the major centerpiece of my trip occurred when beloved singer, songwriter (and inimitable voice of Lynn Minmay herself), Mari Iijima took to the main floor, and performed a short and potent set of songs. With Sunset Beach, and a haunting rendition of the legendary Ai Oboete Imasu Ka as the only Macross tracks, we were host to two of her personally written songs which were equally, if not more impressive. True to her ever-self-defining nature, the set was both emotionally charged, and wildly disarming. (Fave track of the day, “Anatano Tame Ni Jibun No Tame Ni” offers up both a charm-filled sense of longing, and a dramatic sense of real knowing that was impressive. A stirring hint that her latest recorded effort, “Take A Picture Against The Light” may be her most deeply personal to date.)
So in all, my day in Arcadia was one filled with smiles, melancholy, and togetherness. A strange feeling again filled me as I stepped out of the venue, back into the real world that we all share, aware that I had just left a room of shared dreams and memories so many would never see. Perhaps just as well, as the event itself embraces something that is far too often missing from modern cons, a sense of unseen, yet solid community.
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