Inspired by my recent viewing of the Kara no Kyoukai series of movies, I revisited and now formally review an anime that I saw several years ago. I wasn’t all that impressed by the Tsukihime anime back then. Has the passage of time improved my “Mystic Eyes of Anime Perception” and changed my opinion of this show?
Well, not really. It’s still pretty mediocre after a second viewing.
Shingetsutan Tsukihime works best when it is delving into the mysteries and backstory of the show: the origins of its characters, the differences between the True Ancestors and the False Apostles, the dark secrets of the Tohno family. The scenes that grow out of these situations also work well: the tense situations between Shiki and Arcueid and her suppressed bloodlust, the equally tense situations between Shiki and his cold sister Akiha, and the mysteries behind Ciel-sempai and the “church” she works for are all interesting and help reveal character. The consistently good music adds to the atmosphere, which is what Type Moon productions always excel at evoking; perhaps some of the most effective use of music is featured in the final four episodes (9-12), when many plot questions also just happen to be answered–though not completely within the show itself, mind you.
Tsukihime, however, suffers from the burden of having been an eroge first, something that Kara no Kyoukai did not have to take into account. As a result, many of the middle episodes feel oddly detached from the main story and show their dating sim roots: the characters go on a date! Arcueid acts awfully cutesy and calls out Shiki’s name at school! Ferris wheel scenes! Most of the show’s rather low-key humor comes from this half of the show’s origin, and while I’m not always the kind of person who despises humor, one of the things that impressed me most about Kara no Kyoukai was its gravity. Was it excessive at times? Occasionally. But that mood, in my opinion, is well-suited for the kind of gothic drama to which the show aspires, especially when backed by fine music. Here in Tsukihime we have a two-faced show where some parts, especially episode 1 and many of the last episodes, are intended to be such and other episodes are much more “fillerish.”
The funny thing is how much this distorts otherwise smooth character interaction in some episodes. My favorite example actually comes later in the show, where Shiki and Arcueid go out on a date. Shiki is recovering from his recollection of his stabbing, and is lying in bed, his chest wound still clearly visible. Arcueid appears in his room, miffed that he hasn’t shown up in the evenings like he promised. Shiki apologizes without explaining why, but the first reaction of Arcueid–who doesn’t even seem to notice the chest wound, even though it would present serious temptation for her later–is to say, “let’s go on a date.” The date then proceeds and while it gives rise to some significant lines repeated at the end of the series, it just felt…disjointed. Don’t get me wrong; the story is, in part, about the romance between Shiki and Arcueid. Romantic buildup and scenes can’t be left out altogether, and the romance between a human and a vampire is a well-worn plotline that Type Moon, more than anybody, should have been capable of making fresh. What we get instead are fairly standard anime cliche situations when it comes to the romantic bits, and they aren’t well integrated into the more gothic portions.
Those gothic bits are fine for what they are: mysterious, brooding, and dark. They are also badly underexplained within the anime itself. Having done some reading on the full backstory of the characters, I understand a lot better now what was going on and was able to fill in the gaps, but watching the final episodes took me back to the time a few years ago when I didn’t know and my constant mental refrain was: what the hell is going on here? Two Shikis? Akiha’s need to “control the Tohno blood”? It’s not the purposeful ambiguity that adds to the allure of a show, either; it’s the kind that simply confuses. Kara no Kyoukai did a bit of it in the first installment too, so it seems that Type Moon is rather fond of underexplaining things (though by the second installment, things improved significantly).
A word, finally, about the animation quality. I’ve read plenty of complaints about the lack of it, especially in the battle scenes. it’s true that the battle scenes are not the most fluid and certainly reflect a “TV” rather than OVA budget. (One suspects that the much improved cinema-level battle animation of Kara no Kyoukai was in part a reaction to this.) On the other hand, I really like the character designs. Especially Arcueid. She really is…cute. I find her character design very appealing personally. It’s hard to explain. It could be her hairstyle. I’m not sure. But she makes it quite easy to watch. I could care less about anyone else, really, like Ciel and Akiha and the twin maids.
Tsukihime represents one kind of fleshing out of the Type Moon mythos, particularly the Mystic Eyes of Death Perception. The adapters of the anime at the very least were not quite as cognizant on how to put together emotionally compelling stories and thus produced what is, in the end, a rather ho-hum anime with glimpses of greatness at best. This is, on the whole, a lot better than a show like This Ugly Yet Beautiful World, which suffered from similar flaws but to a much greater degree. It’s a good thing that I can’t get some of the music out of my head. But coming from Kara no Kyoukai, it pales in comparison, a shadow of the greatness that the Type Moon storytellers had in them and would at last begin to make later on.
Anime Diet Daily Recommended Allowances
Animation: 72%. TV budget shows in battle scenes, along with numerous tricks a la Evangelion TV to reduce the number of cels. But I like Arcueid, really. 🙂
Voice Acting: 65%. Shiki is a bit of a blank slate, showing initiative only later on, so his vocal performance wasn’t anything special. Akiha manages to show some nuance later on that puts her a bit beyond a frigid prude. However, Arcueid’s seiyuu really felt oddly detached the whole time. There were moments initially when she pulled off the menace and otherworldliness just fine, but later she became Generic Anime Heroine #2: perky, cheery even, but lacking in emotional depth. This is a key reason why I felt the show was oddly unemotional.
Music: 85%. Very well done. String and piano-driven melodies work well for gothic shows, and while it is not quite the Kajiura beauties of Kara no Kyoukai, it’s actually only one or two steps below. Some of the best musical parts are in episodes 9-12. The OP is also one of the finest I’ve heard in a long time, though in a way it promises a different kind of show than we actually get. The ED is forgettable by comparison.
Story: 70%. The backbone of the plot–the Tohno history, the vampire wars, etc.–is actually pretty solid, if a bit unoriginal. The out-of-place romance scenes and dating sim material feels like interruptions at times. Much is left unexplained to the viewer unacquainted with Type Moon’s mythos. Perhaps it was primarily aimed at the players of the 2001 game, which I am currently previewing out of curiosity. (I’ll write a comparison review of it sometimes.) Arcueid in particular is underdeveloped as a character; she could be very, very fascinating all by herself, but the show doesn’t explore this enough.
Overall: 70%: the seeds of greatness never quite sprout in this series. It becomes, in the end, rather forgettable, aside from the music. Except for Arcueid’s face. Mmm.