Continuing ElectricV01 & Wintermuted’s discussions regarding the new Lupin III television series event (Lupin III: Fujiko Mine), The Fujiko Telegrams is an in-the-moment blog/chatfest that’ll hopefully grant new and fun perspectives on the splashy return of one of anime/manga’s most enduring creations.
Now this is a little more like it. After what was almost a reason for me to consider dropping the series, up comes this nifty little story which at last pitts Magnum versus Walther while in search of a treasure within a newly found Egyptian pyramid. We also get a little more insight into Lupin’s personality regarding Fujiko, and to what absurd heights he will go for his “quarry”. More in tune with classic adventure/cliffhanger tales, this one’s light on story, but is at least told well enough to not be terribly offensive.
Agreed. Truth be told after last weeks… affair, it took me a while to want to jump back into the show. (My apologies to our readers for the late update on this. Completely my fault). While this episode was much better, having much more Lupin than any previous episode plus the return of Jigen, I still felt the taint of episode 4 and I had a hard time enjoying this adventure. For a first meeting between cast members, it does a decent job, but really not anything we haven’t seen before in previous stories. Of course Lupin and Jigen are gonna fight the first time they meet, and of course Fujiko is pulling the strings.
So one of the initial things I heard regarding the episode prior to my watching it was the absurd amount of frontal nudity. Twitter was flickering like a suburb during the Christmas season about this, which admittedly caused some concern on my part. If viewers had been paying attention to the series prior, this is not necessarily something to be surprised about. Was this to be more contemporary levels of service than has ever been for this franchise? So I jumped into matters with no shortage of trepidation.
Thankfully, my concerns were dashed after the initial scene, because for all the noise, it really all just takes place during one scene, but it is in “service” of the overall tone of the discussion between Lupin & Fujiko. It essentially emphasizes the master thief’s desire (ahem—commitment) toward attaining his objective, and it renders him something of an antiquated little pervert of a guy. Long & short, no matter the stakes, he will capture her. It’s a hopelessly retro moment, and she plays along knowingly, as if making sure he remains involved. Is it gratuitous & sexist? Yes. Is it cause for concern in regards to the Lupin franchise? Not at all.
This episode in particular? Have they not been watching this show? I didn’t feel this episode had any more or less nudity than any other so far in the series, with the possible exception of episode 3, which had next to none. And it did set the tone for the intro of a very typical/traditional Lupin story. Lupin steals something to try and get Fujiko’s affections, but she wants something bigger and steers him toward a mythical lost treasure—which, through odd circumstances and coincidences, Jigen is also after. I thought for sure Fujiko was going to be the one who hired Jigen to find the treasure as well, just so she could play the master thief against the master gunman and make off with the goods herself. But if that was the case it was never flat out said.
Overall, this was something of a standard episode punctuated by some very cool visuals. Leading on both men, Fujiko seems to have taken in what she has learned about both Lupin & Jigen, and woven an at-times silly scheme involving their best internal strategies. Lupin is good at getting in, while Jigen counterbalances to help them all escape. It’s amusing to see Jigen attempt to merely live the rest of his life far away from his past, only to get sucked back in and shacked up with a guy he could only imagine disliking. I did enjoy their interplay, and how Fujiko eventually plays them directly against one another just enough to help her attain a jewel peacock. And yet, they can’t keep themselves from drawing guns on each other!
This is also the first episode we see Fujiko fall into one of her more traditional roles from the old anime series: namely, the antagonist. She is the villain of this story. Part of her plot to get the peacock is supposed to involve the death of either Lupin or Jigen, as blood is needed to open the seal to the treasure. This is also probably the first episode where Fujiko’s greed makes her thoroughly unlikable, which again, is typical in any episode/story where she is cast as the bad guy…er girl. In episodes where she is bad, they don’t ever show her softer side unless it is her putting up a facade. So again, this is the creators playing with traditional Lupin tropes.
Yeah, there was a clear aim being taken with Fujiko’s role as manipulator and outright villain. It’s actually pretty amusing to see the boys essentially react to her greedy actions. One wonders if their enmity towards each other is really just leftover resentment toward her. In some respects, it explains quite a bit about what eventually happens with these guys.
Visually, it’s fascinating to see play out here as the crew is having to deal with a desert environment. And seeing this done as a hybrid old school work, we get some fascinating fire and sand work. It’s a wild jumble between eras that made me long for some old episodes again. Had a hard time deciding on screenshots this time.
And again, Egypt is another traditional Lupin locale. Also it was interesting to see Lupin get jealous at the thought of Fujiko possibly sleeping with Jigen. Which never happened, so I’m not sure where the whole “itsy bitsy” thing came from. I don’t remember her calling him that from episode 2. Still, if Lupin was that jealous of Jigen, he will probably flip out if he learns she “boinked” Zenigata…I think that is a discussion maybe for episode 6 though.
::laughs:: Oh man, IF ONLY. But yeah, that “itsy bitsy” thing came out of the blue. It felt not unlike calling Marty McFly “yellow”. When it comes down to it, it seems to have had a desired effect on both “professionals”.
Overall, this was a fun return to form, albeit still pretty lightweight as the series seems to be playing more on the many faces of Fujiko. While I wish the show offered more complexity, and less old-school gender politics, there was much to be enjoyed, scales and all. Now if only the sins of this show can help open up some truly unexpected treasure down the line.