With the absence of Bahamut due to its recap episode, and the surprise entry of several titles, this week’s APR was hard to choose. Many shows only just barely missed the cut.
When Supernatural Battles Become Commonplace 7
Amagi Brilliant Park 8
Coming in at #1 is When Supernatural Battles Become Commonplace (Inou-Battle), whose shattering breakdown rant by Hatoko ranks as one of the most memorable scenes of the season, if not the entire year. Bravura voice actress Saori Hayami, who did the scene in one breathless unrehearsed take, conveys long-standing frustration over being excluded AND jealousy AND an incisive critique of the chunni mindset, within 2 very long (and necessary) minutes. It was raw, repetitive, and ineloquent, which makes it feel even more real: it felt as if she had been talking not to the character, but to me, and all of my own faults as a fan with chuuni tendencies myself. Hideaki Anno could not have critiqued an otaku better. The scene was also framed by clever foreshadowing and a denouement and twist afterwards that kicks the show into truly high gear. Trigger could not have taken potentially mediocre source material and spun it into finer gold so far.
Something similar also happens in Shirobako, as the show continues to deepen its characters and relationships. Ema’s plight is one faced by nearly everyone who’s worked, especially in creative professions: whether to focus on quantity vs quality, and how to deal with criticism from superiors. Having had similar experiences myself, the emotions were painfully familiar, and even more poignant in light of how much she is likely earning every year. Her pain is universal, and portrayed with genuine gravity and empathy, something that the show is gaining rapidly. Meanwhile, Aoi continues to display how indispensable she is to the office as the bridge between different departments and superiors, and Tarou gets what’s coming to him. This has truly become one of the most solid workplace dramedies done in anime.
Parasyte continues its high standard of combining action, danger, and even occasional comedy–which makes its return with the introduction of Uda and his symbiote Parasite. The antics of Parasite, who speaks much more colloquially than Migi, was often laugh out loud funny, combined with Uda’s exaggerated timidity–which proves to not mean that he was useless, in the least. As for Migi and Shinichi, this episode brings a quick end to the central emotional dilemma and cements his rapid growth into the battle-hardened, confident, manlier man that exudes effortless cool by the end. Parasyte is a show that, up to this point, has wasted little time on extraneous scenes and character development, and its march toward being a dark superhero epic is one of the most compelling rides this season.
Amagi Brilliant Park returns to the list with a truly funny, engaging plot about body swapping that ends up making amusing trouble for Kanie’s social life. The confusion/misunderstanding plot was a staple of the humor in Shoji Gatou’s previous Full Metal Panic, and for once, the pacing kept up with the jokes. It seems that Amaburi has at last found its stride, and it remains the funniest episode to show this week, with Garo’s “Full Monty” coming a very close second.
Finally, Mushi-shi turns in another fine story inspired by traditional tales of what lies at the bottom of wells, as well as the idea of slipping into a shadow or faery world. The imagery of the otherworldly stars is simply gorgeous and the theme of families being unable to hear or understand each other works as a fine metaphor. Again, in keeping with the current iteration of this show, the ending is solidly happy, which makes one wonder if we will ever see a return to the melancholy of old. In either case, its unique “traditional folk tales for the new age” continues its march toward greatness.
THINGS THAT DIDN’T MAKE IT BUT WERE STILL GOOD For the first time, Your Lie in April/KimiUso did not make it on the list, and that is largely because it is a transitional episode: a transition from the first arc, which focused on relationships and budding romance, to what I like to call the “tournament arc” that focuses on piano competition. The depiction of stage fright and impending doom was well-conveyed, and Kaori and Kousei share a nice moment in the park as well as some psychological drama, but as a standalone episode, it felt a little bit less compelling.
Garo was a very near contender for Amagi Brilliant Park’s place, with a genuinely hilarious series of gags involving male nudity, chase scenes, and deception. German stands out as not just an all around womanizer, but as a great comedic lead, a contrast to his dour son. It reminds one of a well-directed Hollywood farce, almost veering into territory currently owned by MAPPA’s other project, Bahamut. The “Full Monty” reference is surely not accidental in that context. It was amusing but was just slightly bested by Amagi’s character-oriented humor this week.