Audio Face Off: The Problems and Promise of Kokoro Connect


Ray and I are back in our first entry in the Face Off series in years…and this time we’re talking about one of the most talked about shows this season, the high school body swapping drama Kokoro Connect. The strengths and the weaknesses of the show are well-known by now—the great acting, the questionable resolution of girls’ problems, among other things—and Ray and I cover a lot of that ground, and more. We especially discuss the impact of the 5th episode, which contained many shocking events and threw into question some of the assumptions we’ve made about the characters—especially “selfless freak” Taichi.

For the time being it’s going to be audio-only, but I’m going to try to see if I can do an auto-transcript with the new transcription abilities on my computer and tablet sometime later. In the meantime—enjoy!

Author: gendomike

Michael lives in the Los Angeles area, and has been into anime since he saw Neon Genesis Evangelion in 1999. Some of his favorite shows include Full Metal Alchemist, Honey and Clover, and Welcome to the NHK!. Since 2003 he has gone to at least one anime convention every year. A public radio junkie, which naturally led to podcasting, he now holds a seminary degree and is looking to become Dr. Rev. Otaku Bible Man any day now. Michael can be reached at You can also find his Twitter account at @gendomike.

3 thoughts on “Audio Face Off: The Problems and Promise of Kokoro Connect

  1. While I agree with the statements you make about the end of episode 5 being somewhat ‘cheap’, I’m going to jump into action with rampant fanboyism to defend the end to Ano Natsu, and writing like that in anime in general.

    Personally, I feel that there are some anime and some stories that don’t really NEED the ultimate tragedy to stick, and some that do. Ano Hana, for instance, is one that I would say needed the tragedy at the end–the entire anime was about maturing, accepting things that you can’t change, and that no one person was free of blame or had to shoulder all the guilt themselves. If that anime hadn’t ended the way it did, it would’ve cheapened what the characters and, by extension, the audience had been ‘taught’ throughout the series.

    Ano Natsu, I feel, was different. The characters, Kaito especially, did need to accept what had happened and move on at the end–which they did, as we can see in the last few minutes. But throughout the series, a lot more emphasis was placed upon personal and emotional honesty, and, in my opinion, on really remembering the events that shape our lives. Retracting the tragedy at the end of the series really added to that–while we obviously can’t expect holding on to memories to save us from all the bad stuff in the world, it allows us to question what would’ve happened if Kaito had given up, forgotten and moved on entirely. If he had done that, he–and we–could’ve lost out on that part of a happy ending. In addition, showing that part of the ending in the movie expresses the value of remembering parts of our past, even the ones that hurt, in that it gives us higher ground to stand on as we move forward.

    Episode 5 of Kokoro Connect, I think, falls somewhere in the middle. We didn’t need the tragedy for the characters to experience what they did and grow because of it, and we got to see all of that regardless, but like you said, the experience is somewhat ‘cheapened’ because of that. Overall, I think it was the better choice, and the gains from the decision heavily outweighed the losses, but it’s still an issue nevertheless.

  2. Wow that comment is ugly.

    Also, I’m glad you’re of the opinion that Taichi’s main issue as a character is something dynamic instead of static, Mike. A lot of the people I’ve talked to have argued that just because he realizes what he does, just because others challenge it, doesn’t mean it makes him a more valuable character. The best summary of this I’ve heard was ‘a piece of shit that realizes it’s a piece of shit is still a piece of shit.’

    I’ve disagreed with this from the very beginning, because I think the fact that the anime presents his messianic tendencies as a wall in his way of getting what he wants is basically writing on the wall to foreshadow his growth as a character.

  3. Maybe it was intended to be otaku bait, but Taichi was sharing his most dangerous secret that would have costed his social life, and he decided to take that risk. And alas, Inaba’s confession in turn with mischievous smile, that was the most astoundingly awesome scene I’ve ever seen in my life, I mean a girl confessing to her okazu that “I’ve made you my okazu” is unheard of. Yes, Inaba is very forward. How I wish 3D girls were more forward about their sexuality!

    Fuusen-kazura is kinda Lemon-senpai from AnoNatsu, but meaner.

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