So happy to see that around the time of my last post, a small group of new shows arrive with my notions well complimented. It seems as though despite the ever glowering cloud of desperation often gumming up recent anime schedules,this worry has finally found a weak spot. That, or the old fixer-upper solutions are no longer working. Whatever the case, it seems that certain prayers may be answered this season as not one, but three shows debuted this last week that offer shining proof that anime can indeed offer more than the expected warm blankie/cocoa combo they’ve been dishing out ad-nauseum over the last several seasons.
(Not that I dislike cocoa, mind you. But one too many makes for a violently upset Wintermuted.)
Starting off with Level E, a punchy, goofy science fiction comedy set in a world where extraterrestrials co-exist amongst the ignorant human population until the day one decides to move into the new home of a young baseball hopeful (Sans permission, and is of the “just won’t go away” quantity.). Both refreshingly funny, and breathlessly retro (the original manga was serialized in the mid 90s-Yes.), the comedy plays like an X-Files parody, with a dose of GTO-like shonen energy for good measure. It is especially fun in how the interplay between lead protagonist, Yukitaka, an ordinary boy who’s prowess in baseball has led him to a potentially exciting new life in a new town, and hopelessly irritating alien prince Baka works. It’s a simple, and yet effective take on the classic straight-man, and the spoiled fool, made all the funnier with the erstwhile prince’s appearance as a strikingly effeminate pretty boy. Add the classic 90s hard manga art style, and the whole package thus far is quite promising. Studio Pierrot (Click Me.) and David may have themselves a memorable little hit on their hands if they continue to expand the world, and drag poor Yukitaka along for the ride.
Level E is available via Crunchyroll (Members now, but free within days!).
Second is clearly on a much more familiar stage, and pays homage to two generations of anime fandom, and as such could be a more dicey project. I write simply about Yutaka Yamamoto’s big-scale NoItamina project, Fractale, which plays like a Greatest Hits compilation of not merely anime favorites, but potentially as contemporary metaphor. In the idyllic fantasy world that resembles an Irish isle surrounded by deceptively analog trappings, where youthful wanderer, Clain seems to live amongst virtual citizens called “Doppels”, his seemingly peaceful virtual life is thrown for a loop when he encounters a mysterious girl on a glider chased by roughs in an airship. So already, this should sound terribly familiar. Right on down to the design aesthetic, we are in a post-cyberpunk take on Miyazaki (or Nadia, pick your poison), complete with simple attractive leads, silly, ineffective villainy, and a love of quiet, open space. But knowing that this is being filtered through the minds of both Yamamoto, a director with a full understanding of the form, and noted critic & writer Hiroki Azuma, this is sure to take come interesting turns as we come to learn more about Clain, Phryne, and the world watched over by the mysterious Fractale system.
The problems with this show are evident in presentation, since it depends so much on either full knowledge of the inspiration, or completely new perspective which can either help or cripple the series as a whole. Long and short, this series, while having a promising debut episode needs to gather steam quickly to fully work. So while some critics may find this inexcusably trite and hopelessly post-modern, perhaps this is only the beginning of a unique exploration of anime fandom as well as the increasing allure of insular living. The show seems to definitely be going in this direction. Here’s hoping they find something truly new and exciting along the way.
Fractale is available via Funimation & Hulu!
And lastly, it should be noted that of all the new shows out this season, the one I’m most hopeful for is AIC Classic’s visually rich & utterly fascinating adaptation of Takako Shimura‘s Hourou Musuko (Wandering Son). Telling the take of young middle schoolers, Nitori, and Takatsuki, a boy and girl who share a secret of wishing to switch genders, the story is told with sensitivity, and a truly unique visual style. So much more interested in letting the lives of the two leads take the forefront, rather than going for the cheap and easy trap route is a bold, and human turn in a medium that is often more restrictive of such notions. Right away, the visuals(much like a watercolor storybook come to life) offer the promise of something altogether new. In fact, bold doesn’t begin to describe it.
If there are any true problems with the debut episode, it is that we are thrust in several volumes into the story that was likely an episode count issue, and could very well make or break the series as a whole. We are given glimpses into their respective lives, but it makes the viewer wish for a much smoother means to get to know them. And as a show with a slower pace than others, it would likely benefit from less compression. But given the presentation, this was likely an impossibility. So the mix can be a bit of a conundrum by design. And yet despite all this, a show focusing on issues of gender identity, and the pangs that come with being young makes for potentially important viewing. There is a lot of emotional truth to all of this, something that can go a long way if Ei Aoki & crew stay the course.
Hourou Musuko is available via Crunchyroll (Members now, but available free in days!)
So with these new shows in the ether, ready to take on a potentially evolving landscape, here’s hoping fans all over are equally as prepared for change as this new year starts off full throttle. I know I am.