Lolita Dark gave a tight performance to an unimpressed audience Saturday night at Katsucon.
Guitar work was solid and unremarkable. Vocals were indistinct, taking on an almost shoegazer-like quality. The bass and drums worked together well on some of their older songs, interweaving their notes to create a driving beat. The meter of songs was instantly recognizable, even classic, though the chord progressions were anything but. In many ways, that exemplified Lolita Dark – a technologically and culturally hip reworking of a rock formula as old as the Rolling Stones.
Media-savvy and brisk-paced, the band paused for the briefest of explanations of their songs and reminders to like their Facebook page or visit their website before launching into more. Lead singer Ray’s harmonies were operatic, even shrill at times. Where her gestures were sharp, imperative, forceful, keyboardist May’s movements were bubbly and effusive. Bassist Rain played his part to the hilt, contributing no vocals but strutting along the stage. Drummer Joey and rhythm guitarist Patrick, while technically flawless, were also flavorless.
In many bands, the effect would seem overly prissy, even sophomoric, but Lolita Dark delivered the occasional apology without giving away their hard-edged passion. Alas, the audience’s lack of familiarity worked against the band. Though visually flawless, bearing costumes inspired by cyberpunk and – what else – gothic Lolita, Lolita Dark struggled to engage the con-weary audience. Cosplayers leaned on props, texting, and only seemed to muster up the energy to engage in fist-pumping or baton-waving when prodded by the band, or for the final song, a cover of Rage Against the Machine’s ‘Killing in the Name.’ When the set was over, over 80% of the fans filed out, not even waiting for an encore.
Lolita Dark has the potential, and they are developing the connections. They lack only the audience. Time will tell if there is truly support for US-based J-rock.
Was “Database” written especially for Log Horizon? The lyrics fit so well. We did think about the message and the concept of the animation but it wasn’t really totally made just for the story. But we’re really glad that it fits and matches.
Do you play MMORPGs like Log Horizon depicts? Which ones are your faves? I don’t know much about MMORPGs but if you’re talking about what’s my favorite RPGs the Final Fantasy series rule.
If you were stuck in the world of Log Horizon, would you still want to be wolves? Would you start a wolf guild? We’re ready to get stuck in that world anytime. Wolf it should be.
Many of your songs, like “Database” and “Emotions,” are sung predominantly in English. Did you plan on having an international/English-speaking audience right away? We’ve always wanted to spread our music throughout the world and English is the most common language. Singing in English was a natural thing for us to do. But we both like Japanese and English. I guess it only depends on what kind of message we want the song to have.
Finally–you mention in your story* that the Principality of Zeon was behind some of the evil int he world. Does that mean one day you are going to fight against them? In a Gundam? Woah. Do I have a chance to become a pilot? I’ll definitely do that. But I think we’re done with fighting. We’ll stick around and play music to see how much people can assemble and share the feelings we have in music.
*Their official bio notes the following:
In the year 19XX the earth was engulfed in war. Nation pitted against nation, human against human. Every living thing on the planet was locked in a chaotic battle to acquire each other’s wealth and power. In the meantime, in the farthest away land of “Ladyland” there lived a genius biologist named Dr. Jimi (hobby: guitar) who was about to conclude a mad science experiment for a pack of superior creatures that would be called MAN WITH A MISSION (MWAM).
Are they human? Are they wolves?
Their looks may be deceiving and even comical at first glance, but they have incredible brain power and a superhuman physique. Such superb abilities enabled them to carry out the planet’s most challenging top secret missions, and made them untouchable by the world’s fearsome and powerful leaders including Genghis Khan, Attila the Hun, and Ivan the Terrible. The Principality of Zeon had them work in the dark shadows of history in various locations around the world.
Dr. Jimi was plagued by guilt and regret that his creations had contributed to some of the most evil deeds in history and decided to put an end to it. He wanted to ensure that they wouldn’t fall under the spell of evil again and so he froze them into eternal sleep in a far edge of the world. Determined not to let his creativity potentially bring more evil into the world the Doctor burned his guitar. He managed to escape the hands of evil and cheat death three times, but he couldn’t avoid his destiny. Retribution for his death was to keep MWAM frozen under the glaciers in the South Pole. Jimi’s last words were, “I’ll try getting a straight perm in my next life.”
Time passed by and it was now the year of 2010. The planet had gone through worldwide economic crisis, numerous political and social tensions across borders, and was slowly being destroyed by pollution induced global warming. The warming and deterioration of the planet then melted the icy caskets that Dr. Jimi had jeopardized his life for. MWAM awoke from eternal sleep!
Are they working for justice for this world, or are they nothing else but evil?
Either way “MAN WITH A MISSION” is now back on the mission around the world!
In the rather plastic world of Japanese pop music, the relatively new band Man With A Mission stands out. Rather than opting for boy band flash and glitter, or the elaborate costuming of the visual kei set, the members of Man With A Mission don just one thing: wolf heads. They are more than just masks: they are a commitment, covering the whole head and leaving only holes for the eyes, nose, and mouth. Their mouths do not move visibly, even as they sing. (Though the bass player’s eyes did glow red at one point.) They are transformed when they take the stage. They become their act.
The fanciful backstory that they conceived for themselves–that they are the botched products of human experimentation by a super-powered Jimi Hendrix–shows that their sense of humor is matched with an appreciation for the rock masters. Amid their original numbers, which included the anime opening song for Log Horizon “database” as well as anthemic numbers like “Emotions,” was a surprisingly faithful, spirited cover of Nirvana’s “Smells Like Teen Spirit.” They did it their own way: with their blend of rap and the original’s hard riffs, though the chorus returned to the original version. The whole crowd headbanged along. It wasn’t exactly like being back in 1992 Seattle, but I don’t think Kurt Cobain is rolling in his grave either.
Much of Man With a Mission’s music is actually reminiscent of a slightly later period of music, the electronica/DJ tinged rap rock of the late 90s and early 2000s, which is most evident in “Database” and “Get Off of My Way,” and perhaps most obviously and notably, “distance”–in which DJ Starscream (SID) from Slipknot showed up to guest DJ. (The Slipknot influence runs deep: the band’s use of costumes, the stage diving, and their sound….) But unlike Slipknot and other acts in that genre, there’s a positivity to MWaM’s music, which is infectious and helped the crowd–a diverse mix of Japanese fans, regular clubgoers, and a few otakus like myself–get into the right mood, even if the songs were not necessarily familiar to everyone. Evidently realizing that the anime crowd is perhaps giving them the most exposure now, they saved “database” for last, and this got the crowd going harder than anything else. The song is a good representation of their sound, and it also fits lyrically with the themes of the show very well. Anyone who was a fan of the show left satisfied that evening, ears ringing with the powerful vocals and guitars that ring through all of their songs.
The masks never came off, so we never got to see the “real” faces of the band. They decided, instead, to allow their music to be their identity, and it’s a fresh, interesting one.
Anime Diet was privileged to attend and take photos of J-rock band Porno Graffitti at this year’s Anime Expo! Pornograffitti is best known for anime OPs and EDs for Great Teacher Onizuka, Fullmetal Alchemist, Bleach, and most recently Magi. They named themselves after the album by Extreme (see their remarks in our liveblog of their press conference about that and more), and currently consists of Akihito Okano on vocals and guitar, and Haruichi Shindo on background vocal and guitar.
Here we present to you our best photos of the concert, taken by Shizuka. Our full review of the concert, as well as a full translated transcript of the press conference, is coming very soon as well! Stay tuned.
Our guest correspondent Hydra was at PMX 2009 late last year. A J-Rock specialist, she was able to get an interview of Uchu Sentai NOIZ alongside the folks with JRockRevolution. Hydra also translated this interview from Japanese.
Cat, a photographer, took our photos of the band. All photos that don’t have our watermark on it are courtesy of Valerie Durham and JRockRevolution.com.
More long-delayed PMX coverage to come over the next few days! Watch for some exclusive video footage too. —Mike
Anime Diet is honored and proud to be able to have the chance interviewing one of our biggest guest from Japan, representing the Jrock and visual-kei “Uchu Sentai NOIZ”. From their press release: “UchuSentai NOIZ is the cutting edge of Japanese rock. They have toured extensively throughout Japan and released numerous albums and maxi-singles, DVDs, videos, and books. UchuSentai NOIZ’s visual kei style inspires their fans to cosplay and emulate the band’s costumes.”
We were able to present in front of the band, bringing you some exclusive information to you.