Continuing DCBebop & Wintermuted’s discussions regarding the new Lupin III television series event (Lupin III: Fujiko Mine), The Fujiko Telegrams is an in-the-moment blog/chatfest that’ll hopefully grant new and fun perspectives on the splashy return of one of anime/manga’s most enduring creations.
Wintermuted: So with the third episode, we are now transported to a more open European setting, as we are introduced to stoic but secretly soft-hearted samurai Goemon Ishikawaa. He stands between an assassination plot on Georg Trunk, an elderly king with a fight for an heir beginning to heat up, and some seriously valuable train cargo. Goemon, seemingly originally sent to pull off this assassination himself, eventually catches wind of a deeper plot, and unknowingly rubs elbows with Trunk’s grandchildren’s governess, Maria—who only just happens to be another false identity for you-know-who.
Something of an expansion and change of pace for the show, this episode attempts to do quite a bit for the atypical 22-minute running time. This Goemon episode was a bit sudden, and yet, as visually rich as expected for a fan tribute. Was wondering where you landed on it.
DCBebop: Personally I liked this episode quite a bit, and I really think that it felt like a complete throwback/homage to one of the earlier series. The plot in this episode is one I would have expected to see in the original green jacket or late in the red jacket series. That’s not a bad thing, but I agree it was a change of pace from what we had been seeing from this new series. Not as dark, and much more playful than the first two episodes.
What this does, actually, is it just makes me eager to see what the tone of the next episode will be like. I am still loving the animation of this series too, as it plays well in both the more dark gritty episodes like the Jigen one, and the opposite end of the spectrum like this most recent affair.
Wholly agreed on the visual palette on display here. There is so much experimentation and nuance in action, even in what is ostensibly a one-shot caper episode. The animation is in many ways more evocative of Russian techniques of the past, intermingled with anime techniques of the 1970s. And in that sense, this is a bit of a triumph. Being that the majority of this one is in daylight, or within the confines of a moving train, the lighting and speedline work is simply thrilling in places.
I suppose my main issues with this one is one of economy of storytelling. There were a number of nagging problems stemming likely from a need to maintain length. And even if I could just enjoy the general presentation, these issues nagged at me a great deal, particularly toward the end.
But yes, Goemon frightening children is something I had long been hoping to see..
And again, like the rest of the series, we get a perfect characterization for Goemon. Honorable, quickly frustrated, slightly confused and awkward around women, and a badass sword that can cut through anything. I also liked that we got to see another softer side of Fujiko in this episode that is usually reserved for only the more… Cagliostro-ish Lupin stories. It’s rare when this alternate aspect of her character surfaces. True, she always has an ulterior motive and something she wants to steal or take use to her advantage, but still you can’t help but wonder how much is an act and how much isn’t.
Another thing about these episodes so far is that they are actively reintroducing us to these characters one by one. We had one focused on Lupin, one on Jigen and this most recent one on Goemon. Will the next be about Zenigata? He had a brief appearance in episode one, and to me it looks like the bumbling incompetent cop he turned into over the years is gone and the character is back to to being the hard nosed badass detective he was originally.
I guess my biggest concern over this episode is that motivations are often glossed over in favor of just getting the episode in the can. Especially with Goemon’s confession of his presence to the targets: I can’t imagine anyone being so relaxed about it. And to make matters worse, Goemon’s first act as a hitman is such a doomed affair from the outset, one cannot help but wonder if there is any real reason as to why he even took up the option. For a series supposedly interested in something a little more character-driven, there is almost too much story here for one episode. One can’t help but wonder if this was initially meant to be a two-parter. This is also most evident in the episode’s final moment. It really does come out of nowhere.
I can see what you are saying, but in all honesty, while I was watching the episode none of those thoughts occurred to me. For example, when Goemon’s confessing “I’m the assassin hired to kill you,” there also happens to be a runaway train that seems to be a bit more of a pressing concern. Plus, even then it’s not like the guards were automatically trusting of the samurai…it’s just their guns happened to get cut in half so they couldn’t really do anything anyway. Like I said, I can see where you are coming from on that, but I kinda let it go as it was more or less the formula of a classic Lupin episode.
Something tells me that this was not a simple matter of budgetary or era-based limitations though. We do have two previous episodes that are pretty lean in story that they do not allow for such gaps to happen. But as I’ve previously said, it’s very possible that more was on the planning table before the episode went to production. While I had fun with it in places, I seemed much more in tune with the package than I was with the character work. Perhaps I was hoping that Goemon would have had a much more well-established start into the show, as opposed to a light romp.
That said, I love several moments of his here. (He and Duke Togo still compete for Spock status in my warped mind.) And I still feel like that need to make sure (true to old traditions of course) that Fujiko winding up naked somewhere didn’t come off as forced this time.
But as you said, they are lining up all the Lupin regulars. I guess another wish of mine would have been to see a solo Fujiko mission this early in the game as opposed to merely tagging us along for a nostalgia-fest. Though I am very excited about how Zenigata will make his impression with all soon.
It is worth noting that the nudity content was very toned down this episode. And I don’t think this episode is perfect either, but it was fun. As an introduction to Goemon, it does its job with an enjoyable and interesting story, though part of me kind of wishes we would have gotten a new adaptation on his first story in the manga. Though I shouldn’t be surprised, as this series is more or less starting a new history for these characters, and that’s fine too.
And you never know, maybe episode four will be all Fujiko, all the time. Or maybe reintroduce a classic Lupin villain like Pycal or, if we want Fujiko-centric, her old partner Pun.
This is very true. Should they opt for what I hope comes to pass—a Fujiko-centric episode that perhaps shows us new dimensions to her character, and in turn displays her abilities without any interference from the guys—I’ll definitely be engaged. From where I’m watching this, a show of this type is a golden opportunity to take what has worked in the past, and accent it with the storytelling techniques of now. And seeing as how I find Miss Mine to be one of the more intriguing turning points for women in manga, I guess one can only hope that the “retro-manly” world that is being built here gets thrown for a few unexpected loops..
Well, I think we will find out in the coming weeks if that is the case or not. So far, I think this has been a real stand out series. I can’t wait for the next episode.