I sat silently for a while after watching the last installment of Kara no Kyoukai (空の境界: The Garden of Sinners). Sometimes, I gazed at the screen in utter disbelief, other times, I felt shocked and dismayed. But my appreciation grew and I began to wonder about a variety of story elements.
Anime fandom didn’t lead me to JRPGs. JRPGs led me to anime, a little more than 10 years ago around this time.
Game publisher MangaGamer announced Soul Link CGs would be removed, leading to cries of hypocrisy over their initial plans to produce an “uncensored” version.
A total of 6 CGs from the game will be removed due to having an arguably underage looking character naked.
Comments so far have been unilaterally negative:
“I fear Mangagamer intends to take the censorship even further than JAST.”
“Decisions such as [this] will cause your fanbase to turn against you.”
“It’s taken a good 2 years (or more) and tons of bad translations and delays for Manga Gamer to establish the reputation that they have right now and virtually overnight, with the announcement of “censorship” it’s on the brink of shattering.”
Several countries view attempts to sexualize underage persons with alarm, and Anime Diet has previously reported on efforts in the United Kingdom and the Philippines to ban all works that portray minors in a sexual context. It is unclear what laws, if any, would be applicable in the United States, where such works are legal, provided no actual children were used in their making. Still, the official MangaGamer website prominently features a young girl as its welcoming image, indicating the company intends to court loli eroge buyers.
MangaGamer is better known in some circles for its upcoming release of Higurashi no Naku Kokoro ni, scheduled December 15th.
Instead of another regular post, detailing either a classic show, or even an attempt to fashion a bridge between disparate generations of anime lovers, I thought I’d share this short piece of memory film in celebration of the end of one singularly bizarre decade. It was definitely a ride, and now as we dart rapidly into the holiday season it only felt right to share a little about material goodies, and what happens when your hobby takes unusual turns in history…
Ever get one of those so-uber otaku goodies that would do well to be left unseen by certain family members, only to be brought out the moment you hear their cars putter beyond the proximity of your domicile?
Just what makes Sawako and Kazehaya tick, anyway? Why are they so damned good?
Mike’s Take: All I have to say is: we talked about this before. And now it’s finally coming true beyond just petitions. Whether it’s really just “performance art”–I think it’s much better if it’s sincere!–or the fulfillment of all the hopes and dreams of lonely otaku everywhere, it’s hard to say. But Nico Nico says it best: wwwwwwwwwwwwwwwwwwwww
He has good taste in character designs, I must say. She is cute.
Anime Diet wishes you, especially American you, a very non-diet kind of day! Spend some time with your friends and family and gorge yourself on all your favorite traditional foods. (Just think of us if you overstuff yourself with anime today too.) Think about what you have to be grateful for.
As for myself, I’m thankful for all the wonderful staff, past and present, who have helped build this site to what it is now–for making us one of the best review, podcast, and con coverage sites out there. Y’all made it happen. And, of course, for all of you readers and listeners and watchers out there. We couldn’t do it without you too.
Have a great holiday! See you again soon.
A number of us at Anime Diet are also creative writers of some sort. I’ve been doing it all my life, practically, and the recent National Novel Writing Month has rekindled my love of telling fantasy stories.
The Fiction Kitchen will eventually contain the writings of several Anime Diet staff. For now, however, it’s me and my Nanowrimo novel, The Sanctuary, which was partly inspired by various anime comedies like Zero no Tsukaima. (See a fuller introduction here.) It may even have illustrations one day. Since it’s a Nanowrimo novel, I make no guarantees of quality, consistency, or other hallmarks of polished writing–but I do intend on revising it thoroughly after the draft is done and possibly even getting light-novel style illustrations for it!
And don’t worry–I have a week’s worth of installments already scheduled, which will be posted once a day. I’m working steadily toward the end of the book this week as well.
So if you ever wanted to see some original work from us, here’s your chance. Visit us, and feel free to leave constructive feedback too! It’ll help in the revision process.
I finally caught up with a few current season shows today, and it probably tells you a lot when I tell you which ones they were: Kimi ni Todoke, Kobato., and Nyan Koi. These were the sort of shows I needed to watch at this point in my life. Let me explain.
Earlier this weekend, while doing my rare rounds of looking for more tv goodness in the ever fruitful lands of Huluville, I ran into a title that equates clearly to the recent acquisition of another geek classic, Edgar Wright’s SPACED. The late 90s-early 2000s TV series featuring none other than Simon Pegg, Nick Frost, and various members of the cast of future nerdcore classic Shaun Of The Dead movie. As many feel, the sharing of such a seminal tv series has been something of a rarified godsend for those looking for a little added edge to their streamy viewing. And just as SPACED fulfills great gobs of love for geeks of the comic-book & movie persuasions, the discovery of GAINAX’s penultimate 2000s tribute to Robot Anime is akin to an action lover’s gold rush. No I’m not speaking of THAT show, I’m speaking of course of Tengen Toppa Gurren Lagaan.
And why is this reason for celebration? Why is it that the discovery of this series on one of the more mainstream viewing sites such a big deal? I’ve decided to compile some simple, concise reasons as to why missing out on this show could possibly be like missing out on your own wedding or birthday. It’s simply that remarkable. But don’t take the last two paragraphs’ word for it. Read on. Oh yeah. Read on!
Well, episode 6 really wasn’t anything special. Not bad, just more of the same. The cast rounds out a bit more with the introduction of Kotone and Akari Kirishima, the twin daughters of the local (somewhat lecherous yet kindly) monk. Typical twin story elements occur (mistaking one for the other and etc.) as Kotone is attracted to Junpei because of his misfortune (maybe she’s a reverse vampire?) and Akari beating him up thinking he is a pervert.
Additionally the story from episode 5 continues with Mizuno trying to figure out if Junpei really feels the way Nagi told her he does, and what exactly his relationships with all these other woman truly are. That said.. nothing really develops on that front that wasn’t already established last episode aside from two new characters (the twins) to be confused by. Sadly, Nagi and Kanako have little screen time this episode as well. I say sadly because they are by far the most interesting characters in Nyan Koi (along with Junpei). They deserve more screen time.
Animation this time around is still great, though some might be upset because of the blatantly censored out pantsu shots. I wonder what they will do for episode 7 which looks to be the hot springs episode every comedic anime is required to have at least one of.
Episode 6 Grade – B
Why are there the demon swords? Why were they made? Or rather, who made them and how they came about?
Apparently, there are different demon swords and it is rather interesting to observe why some of them are able to transform into people and others can’t.
Even as a psudo-filler episode, there are questions about the origin of weapons and the reason why Charolette is working so hard and in extension, what is the meaning behind her hardship. We get hints that she never lived like a real princess during her life up to now.
(Of course if you already read the novel you would know why)
The response of the empire seems to be actually reasonable but in the anime, we are seeing more the behind the scenes plots and one has to wonder the role Siegfried plays in this. In my opinion, if Charolette and CO. really have no importance whatsoever, the empire would not ask for their return and execution. They could very well ignore them.
The show is progressing rather slowly and almost following the pacing of the novel to the T, which means that it’s not going to go very far if this season is 13 episodes (remember anime used to be 26 episodes). I’m impressed by the acting but not so much with the fantasy-light settings and the character personalities. A red-haired girl is brash and refuses to admit her feelings is very stereotypical.
Finally, the black lady who transforms into the huge sword is played by Yukino Satsuki; how far she has fallen from her prime! I suspect it’s because she’s not good looking and young. Today’s anime industry has this problem – the younger and the cuter the better, never mind real voice acting skills. I mean, really, do any of the girls today compare with the veterans of old (Megumi, Kotono, Hisakawa Aya, et el)? Even Rierie seems to be playing tiny roles these days. Hell, even Nabame is falling into the camp of secondary roles.
I didn’t notice that many animation breakdown. But for whateer odd reason, I’m just not that impressed with this fantasy-lite anime.